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Peter Paul Rubens

Flemish Baroque Era Painter, 1577-1640

Pintura Identificación::  3643
The Deposition
la Deposición
1612 Antwerp Cathedral
1612 Antwerp Cathedral
Flemish Baroque Era Painter, 1577-1640

   
 

 

 
   
      

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Fra Angelico

Fra Angelico Galleries b.c. 1400, Vicchio, Florence d.Feb. 18, 1455, Rome

Pintura Identificación::  29734
The Deposition
La Deposición
mk67 Tempera on panel 68 7/8x 72 13/16in
la Témpera mk67 enel entrepaño 68 7/8x 72 13/16in
Fra Angelico Galleries b.c. 1400, Vicchio, Florence d.Feb. 18, 1455, Rome

   
 

 

 
   
      

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Francesco Salviati

Italian 1510-1563 Francesco Salviati Gallery

Pintura Identificación::  29864
The Deposition
La Deposición
mk67 Oil on panel 30 5/16x207/8in
el Petróleo mk67 en el entrepaño 30 5/16x207/8in
Italian 1510-1563 Francesco Salviati Gallery

   
 

 

 
   
      

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Gerard David

b.c. 1460, Oudewater, Neth. d.Aug. 13, 1523, Bruges Flemish Gerard David Locations

Pintura Identificación::  31733
The deposition
La deposición
mk76 Painted between c.1510 and 1515 Oil on canves 56 1/8x44 1/4in
mk76 Pintó entre C. 1510 y 1515 Petróleo en el canves 56 1/8x44 1/4in
b.c. 1460, Oudewater, Neth. d.Aug. 13, 1523, Bruges Flemish Gerard David Locations

   
 

 

 
   
      

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Simone Martini

1283-1344 Italian Simone Martini Locations

Pintura Identificación::  33320
The Deposition
La Deposición
mk86 Tempera on wood 29.7x20.5cm
la Témpera mk86 en lamadera 29.7x20.5cm
1283-1344 Italian Simone Martini Locations

   
 

 

 
   
      

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Pietro Lorenzetti

Italian Byzantine Style Painter, ca.1280-1348

Pintura Identificación::  33322
The Deposition
La Deposición
mk86 c.1320-1330 Fresco 232x377cm Assis,San Francesco. Lower Church
el Fresco mk86 c.1320-1330 232x377cm Assis, San Francesco. La Iglesia más baja
Italian Byzantine Style Painter, ca.1280-1348

   
 

 

 
   
      

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Gerard David

b.c. 1460, Oudewater, Neth. d.Aug. 13, 1523, Bruges Flemish Gerard David Locations

Pintura Identificación::  38176
The Deposition
La Deposición
mk29 1510-15 Oil on canvas 142.5x112.4cm
mk29 1510-15 Engrasan en la lona 142.5x112.4cm
b.c. 1460, Oudewater, Neth. d.Aug. 13, 1523, Bruges Flemish Gerard David Locations

   
 

 

 
   
      

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Fra Angelico

Fra Angelico Galleries b.c. 1400, Vicchio, Florence d.Feb. 18, 1455, Rome

Pintura Identificación::  40184
The Deposition
La Deposición
mk156 1437-1440 Tempera on panel 176x185cm
mk156 1437-1440 Témpera en pone panel176x185cm
Fra Angelico Galleries b.c. 1400, Vicchio, Florence d.Feb. 18, 1455, Rome

   
 

 

 
   
      


Pintura Identificación::  42951
The Deposition
mk170 1500-1505 Oil on oak 74.9x47.3cm

   
 

 

 
   
      


Pintura Identificación::  43550
The Deposition
Oil on oak 75 x 47 cm

   
 

 

 
   
      


Pintura Identificación::  79726
The Deposition
The Deposition" oil on Canvas. cjr

   
 

 

 
   
      

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Prospero Fontana

(1512 - 1597) was an Italian painter of the late Renaissance. Fontana was born in Bologna, and became a pupil of Innocenzo da Imola. He afterwards worked for Perin del Vaga in the Palazzo Doria in Genoa. Towards 1550, it is reported that Michelangelo introduced him to Pope Julius III as a portrait-painter; and he was pensioned at the pontifical court. He later joined Vasari's studio in Florence, and worked in frescoes at the Palazzo Vecchio (1563-65). He is an early representative of the Bolognese school of painting. Sabbatini, Sammachini and Passerotti were three of his principal pupils or colleagues. His daughter, Lavinia Fontana, was also a prominent painter of mostly conventional religious canvases. Returning to Bologna, after doing some work in Fontainebleau (France) and in Genoa, he opened a school of art, in which he became briefly the preceptor of Lodovico and Agostino Carracci. He has left a large quantity of work in Bologna. His altarpiece of the Adoration of the Magi, in the church of Santa Maria delle Grazie, being considered his masterpiece. It is not unlike the style of Paul Veronese. He died in Rome in 1597.

Pintura Identificación::  80775
The Deposition
Date 1563(1563) Medium oil on poplar panel cjr
(1512 - 1597) was an Italian painter of the late Renaissance. Fontana was born in Bologna, and became a pupil of Innocenzo da Imola. He afterwards worked for Perin del Vaga in the Palazzo Doria in Genoa. Towards 1550, it is reported that Michelangelo introduced him to Pope Julius III as a portrait-painter; and he was pensioned at the pontifical court. He later joined Vasari's studio in Florence, and worked in frescoes at the Palazzo Vecchio (1563-65). He is an early representative of the Bolognese school of painting. Sabbatini, Sammachini and Passerotti were three of his principal pupils or colleagues. His daughter, Lavinia Fontana, was also a prominent painter of mostly conventional religious canvases. Returning to Bologna, after doing some work in Fontainebleau (France) and in Genoa, he opened a school of art, in which he became briefly the preceptor of Lodovico and Agostino Carracci. He has left a large quantity of work in Bologna. His altarpiece of the Adoration of the Magi, in the church of Santa Maria delle Grazie, being considered his masterpiece. It is not unlike the style of Paul Veronese. He died in Rome in 1597.

   
 

 

 
   
      

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Sebastiano del Piombo

1485-1547 Italian Sebastiano del Piombo Galleries

Pintura Identificación::  83981
The Deposition
Date 1516(1516) Medium Oil on canvas transferred from wood cjr
1485-1547 Italian Sebastiano del Piombo Galleries

   
 

 

 
   
      

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Prospero Fontana

(1512 - 1597) was an Italian painter of the late Renaissance. Fontana was born in Bologna, and became a pupil of Innocenzo da Imola. He afterwards worked for Perin del Vaga in the Palazzo Doria in Genoa. Towards 1550, it is reported that Michelangelo introduced him to Pope Julius III as a portrait-painter; and he was pensioned at the pontifical court. He later joined Vasari's studio in Florence, and worked in frescoes at the Palazzo Vecchio (1563-65). He is an early representative of the Bolognese school of painting. Sabbatini, Sammachini and Passerotti were three of his principal pupils or colleagues. His daughter, Lavinia Fontana, was also a prominent painter of mostly conventional religious canvases. Returning to Bologna, after doing some work in Fontainebleau (France) and in Genoa, he opened a school of art, in which he became briefly the preceptor of Lodovico and Agostino Carracci. He has left a large quantity of work in Bologna. His altarpiece of the Adoration of the Magi, in the church of Santa Maria delle Grazie, being considered his masterpiece. It is not unlike the style of Paul Veronese. He died in Rome in 1597.

Pintura Identificación::  84962
The Deposition
1563(1563) Medium English: oil on poplar panel cyf
(1512 - 1597) was an Italian painter of the late Renaissance. Fontana was born in Bologna, and became a pupil of Innocenzo da Imola. He afterwards worked for Perin del Vaga in the Palazzo Doria in Genoa. Towards 1550, it is reported that Michelangelo introduced him to Pope Julius III as a portrait-painter; and he was pensioned at the pontifical court. He later joined Vasari's studio in Florence, and worked in frescoes at the Palazzo Vecchio (1563-65). He is an early representative of the Bolognese school of painting. Sabbatini, Sammachini and Passerotti were three of his principal pupils or colleagues. His daughter, Lavinia Fontana, was also a prominent painter of mostly conventional religious canvases. Returning to Bologna, after doing some work in Fontainebleau (France) and in Genoa, he opened a school of art, in which he became briefly the preceptor of Lodovico and Agostino Carracci. He has left a large quantity of work in Bologna. His altarpiece of the Adoration of the Magi, in the church of Santa Maria delle Grazie, being considered his masterpiece. It is not unlike the style of Paul Veronese. He died in Rome in 1597.

   
 

 

 
   
      

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Angelo Bronzino

(November 17, 1503 - November 23, 1572), usually known as Il Bronzino, or Agnolo Bronzino (mistaken attempts also have been made in the past to assert his name was Agnolo Tori and even Angelo (Agnolo) Allori), was an Italian Mannerist painter from Florence. The origin of his nickname, Bronzino is unknown, but could derive from his dark complexion, or from that he gave many of his portrait subjects. Bronzino was born in Florence. According to his contemporary Vasari, Bronzino was a pupil first of Raffaellino del Garbo, and then of Pontormo. The latter was ultimately the primary influence on Bronzino's developing style and the young artist remained devoted to his eccentric teacher.

Pintura Identificación::  86595
The Deposition
Date 1565(1565) Medium Oil on wood Dimensions Height: 350 cm (137.8 in). Width: 235 cm (92.5 in). cjr
(November 17, 1503 - November 23, 1572), usually known as Il Bronzino, or Agnolo Bronzino (mistaken attempts also have been made in the past to assert his name was Agnolo Tori and even Angelo (Agnolo) Allori), was an Italian Mannerist painter from Florence. The origin of his nickname, Bronzino is unknown, but could derive from his dark complexion, or from that he gave many of his portrait subjects. Bronzino was born in Florence. According to his contemporary Vasari, Bronzino was a pupil first of Raffaellino del Garbo, and then of Pontormo. The latter was ultimately the primary influence on Bronzino's developing style and the young artist remained devoted to his eccentric teacher.

   
 

 

 
   
      


Pintura Identificación::  86758
The Deposition
Date 1470s Medium Oil on oak panel Dimensions Height: 129 cm (50.8 in). Width: 95 cm (37.4 in). cjr

   
 

 

 
   
      


Pintura Identificación::  86778
The Deposition
Date c. 1460(1460) Medium Oil on oak panel Dimensions Height: 57 cm (22.4 in). Width: 52 cm (20.5 in). cjr

   
 

 

 
   
      

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Jacopo Pontormo

Italian 1494-1557 Jacopo Pontormo Galleries

Pintura Identificación::  86917
The Deposition
Date c. 1528(1528) Medium Oil on wood Dimensions Height: 313 cm (123.2 in). Width: 192 cm (75.6 in). cjr
Italian 1494-1557 Jacopo Pontormo Galleries

   
 

 

 
   
      

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Lorenzo Lotto

Italian 1480-1556 Lorenzo Lotto Galleries

Pintura Identificación::  86923
The Deposition
Date 1512(1512) Medium Oil on wood Dimensions Height: 298 cm (117.3 in). Width: 197 cm (77.6 in). cjr
Italian 1480-1556 Lorenzo Lotto Galleries

   
 

 

 
   
      

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Sebastiano del Piombo

1485-1547 Italian Sebastiano del Piombo Galleries

Pintura Identificación::  87833
The Deposition
1516(1516) Medium Oil on canvas transferred from wood cyf
1485-1547 Italian Sebastiano del Piombo Galleries

   
 

 

 
   
      

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Rogier van der Weyden

Rogier van der Weyden 1399/1400 - 1464 was the most important representative of Netherlandish painting or Northern Renaissance

Pintura Identificación::  88079
The Deposition
c. 1435(1435) Medium Oil on oak panel cjr
Rogier van der Weyden 1399/1400 - 1464 was the most important representative of Netherlandish painting or Northern Renaissance

   
 

 

 
   
      

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Gerard David

b.c. 1460, Oudewater, Neth. d.Aug. 13, 1523, Bruges Flemish Gerard David Locations

Pintura Identificación::  89149
The Deposition
first half of 16th century Medium oil on wood cyf
b.c. 1460, Oudewater, Neth. d.Aug. 13, 1523, Bruges Flemish Gerard David Locations

   
 

 

 
   
      

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master of st bartholomew

active in Cologne ca 1480/1510

Pintura Identificación::  89240
The Deposition
between 1500(1500) and 1505(1505) Medium oil on oak cyf
active in Cologne ca 1480/1510

   
 

 

 
   
      

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Lorenzo Lotto

Italian 1480-1556 Lorenzo Lotto Galleries

Pintura Identificación::  91661
The Deposition
between 1513(1513) and 1516(1516) Medium oil on panel Dimensions Height: 51 cm (20.1 in). Width: 97 cm (38.2 in). cyf
Italian 1480-1556 Lorenzo Lotto Galleries

   
 

 

 
   
      

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Jacopo Pontormo

Italian 1494-1557 Jacopo Pontormo Galleries

Pintura Identificación::  91668
The Deposition
1528(1528) Medium oil on panel Dimensions Height: 313 cm (123.2 in). Width: 192 cm (75.6 in). cyf
Italian 1494-1557 Jacopo Pontormo Galleries

   
 

 

 
   
      

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Raphael

Italian High Renaissance Painter, 1483-1520

Pintura Identificación::  94702
The Deposition
1507 Type Oil on wood Dimensions 184 cm x 176 cm (72 in x 69 in) cyf
Italian High Renaissance Painter, 1483-1520

   
 

 

 
   
      

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Sebastiano Ricci

(1 August 1659 - 15 May 1734) was an Italian painter of the late Baroque school of Venice. About the same age as Piazzetta, and an elder contemporary of Tiepolo, he represents a late version of the vigorous and luminous Cortonesque style of grand manner fresco painting. He was born in Belluno, son of Andreana and Livio Ricci. In 1671, he apprenticed to Federico Cerebri of Venice. Others claim Ricci's first master was Sebastiano Mazzoni. In 1678, a youthful indiscretion led to an unwanted pregnancy, and ultimately to a greater scandal, when Ricci was accused of attempting to poison the young pregnant woman to avoid marriage. Imprisoned, he gained release only after intervention of a nobleman, probably a Pisani family member. He married the pregnant mother in 1691, although this was a stormy union. After his arrest, he moved to Bologna, where he domiciled near the Parish of San Michele del Mercato. His painting style there was apparently influenced by Giovanni Gioseffo dal Sole. On 28 September 1682 he was contracted by the "Fraternity of Saint John of Florence" to paint a Decapitation of John the Baptist for their Oratory. On 9 December 1685, the Count of San Segundo near Parma commissioned from Ricci the decoration of the Oratory of the Madonna of the Seraglio, which he completed in collaboration of Ferdinando Galli-Bibiena by October 1687, receiving a compensation of 4,482 Lira.

Pintura Identificación::  97743
The Deposition
1516(1516) Medium Oil on canvas transferred from wood cyf
(1 August 1659 - 15 May 1734) was an Italian painter of the late Baroque school of Venice. About the same age as Piazzetta, and an elder contemporary of Tiepolo, he represents a late version of the vigorous and luminous Cortonesque style of grand manner fresco painting. He was born in Belluno, son of Andreana and Livio Ricci. In 1671, he apprenticed to Federico Cerebri of Venice. Others claim Ricci's first master was Sebastiano Mazzoni. In 1678, a youthful indiscretion led to an unwanted pregnancy, and ultimately to a greater scandal, when Ricci was accused of attempting to poison the young pregnant woman to avoid marriage. Imprisoned, he gained release only after intervention of a nobleman, probably a Pisani family member. He married the pregnant mother in 1691, although this was a stormy union. After his arrest, he moved to Bologna, where he domiciled near the Parish of San Michele del Mercato. His painting style there was apparently influenced by Giovanni Gioseffo dal Sole. On 28 September 1682 he was contracted by the "Fraternity of Saint John of Florence" to paint a Decapitation of John the Baptist for their Oratory. On 9 December 1685, the Count of San Segundo near Parma commissioned from Ricci the decoration of the Oratory of the Madonna of the Seraglio, which he completed in collaboration of Ferdinando Galli-Bibiena by October 1687, receiving a compensation of 4,482 Lira.

   
 

 

 
   
      

Sebastiano Ricci
(1 August 1659 - 15 May 1734) was an Italian painter of the late Baroque school of Venice. About the same age as Piazzetta, and an elder contemporary of Tiepolo, he represents a late version of the vigorous and luminous Cortonesque style of grand manner fresco painting. He was born in Belluno, son of Andreana and Livio Ricci. In 1671, he apprenticed to Federico Cerebri of Venice. Others claim Ricci's first master was Sebastiano Mazzoni. In 1678, a youthful indiscretion led to an unwanted pregnancy, and ultimately to a greater scandal, when Ricci was accused of attempting to poison the young pregnant woman to avoid marriage. Imprisoned, he gained release only after intervention of a nobleman, probably a Pisani family member. He married the pregnant mother in 1691, although this was a stormy union. After his arrest, he moved to Bologna, where he domiciled near the Parish of San Michele del Mercato. His painting style there was apparently influenced by Giovanni Gioseffo dal Sole. On 28 September 1682 he was contracted by the "Fraternity of Saint John of Florence" to paint a Decapitation of John the Baptist for their Oratory. On 9 December 1685, the Count of San Segundo near Parma commissioned from Ricci the decoration of the Oratory of the Madonna of the Seraglio, which he completed in collaboration of Ferdinando Galli-Bibiena by October 1687, receiving a compensation of 4,482 Lira.
The Deposition

        
 
   
 

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